Aspects of anthropological methods covered are: The module examines the relationship between theory and method within anthropology. We are concerned with the specific techniques that are used by anthropologists as they conduct their fieldwork. This module also draws attention to how ethnographic knowledge produced during fieldwork is both relational and contextual.
In the next few decades, psychoanalysis sought to make sense of the trivial, thinkers inquired into the status of the mass-produced object, and the rise of feminist and Labour movements posed the prosaic and essential question of material comforts. Modernist art and literature focused on the mundane, as emblematized by the everyday object, which now crystallized our changing relation to the world.
Papers could examine the claim that the poetry and prose, the visual and performing arts, and the music of the Modernist era accounted for a shift in object relations with an intensity of observation in proportion with the changes which so profoundly affected the experience of living in industrial times.
This SEM conference invites English-language contributions that cover the widest range of reflections on Modernist objects. Topics may include, but are not restricted to: They treat aging no longer as a characteristic of the human experience, but as a curable disease that can be countered via damage repair processes.
At the same time, tech companies are also able to digitally replicate personalities through mass data capture. Some futurists fantasize about mind uploading whereby the self is transferred to a computer.
Whether or not we will actually be able to create eternal life on earth will remain to be seen, but its prospect poses a plethora of new questions.
This conference focuses on the relationship between immortality and human memory, and explores the implications for conceptualisation of memory when humans no longer have a definite expiry date.
We invite proposals for minute speculative presentations, position papers or creative contributions.
Questions that could be considered could include, but are not limited to, the following: What new types of memory are generated when the self is not located in a body but in a computer or robot?
If we live forever, will this weaken our ability to remember? How does immortality affect processes of forgetting? How does the current obsession with longevity impact upon legal issues such as inheritance?
How does immortality impact on concepts such as the reminiscence bump, Flash Bulb Memory, and information overload? What would impact of the unlimited acquisition of skills and knowledge be on the fallibility of memory?
How will the role of memory in shaping the self change in the light of immortality? What new temporalities does the prospect of immortality afford memory? What are the implications of immortality on traditional, human-shaped Aristotelian poetics and religious narratives?
What new complexities are emerging for the shaping of memory of the self biological and virtual memories? When submitting a proposal, please include a title; an abstract of ca.
Proposals can be sent to: Accommodation can be booked via the University of Wolverhampton conferencing website: We will accept contributions on a rolling basis, with a final acceptance notice by Monday 4 June, Scott Hames University of Stirling Dr.
If writers in the s placed Scotland on the map, the new millennium ushered in a variety of works of fiction that contributed to the expansion of that map and to an integration of notions that shift the focus from the national to that of an examination of Scotland in a context that foregrounds the post-national and the cosmopolitan.
Bell, starting from the theoretical thinking of Richard Kearney, contends that a European identity is developing because of the way power is restructured at a European level, with the emergence of countries as super-nation-states, which are gradually prevailing over nation states.
This analysis, Neubauer insists, applies to both macro-economic issues and to culture and the arts: Berthold Schoene resorts to the concept of cosmopolitanism to describe this shift in recent Scottish literature: Interrogating artistic borders, they interrogate the national idea.AFAM Intro to African American Studies This course provides an overview of African American history and culture.
Topics include major events, persons, and issues spanning the period from the African heritage to contemporary times. One play and one musical that he wrote won the Pulitzer Prize for Drama: George S. Kaufman was born to Joseph S.
Kaufman, a hatband manufacturer, Kaufman was one of the writers who excelled in writing intelligent nonsense for Groucho Marx. In fact, it may not be exciting at all.
Writing about drama can also involve figuring out why and how a production went wrong. playwrights build plays. A playwright’s raw materials are words, but to create a successful play, he or she must also think about the performance—about what will be happening on stage with sets, sounds, actors.
Literary Managers and Dramaturgs of the Americas: Bibliography Contents Introduction Section I: Production Dramaturgy Section II: New Play Development Section III: On Understanding the Dramaturgy.
Port Manteaux churns out silly new words when you feed it an idea or two. Enter a word (or two) above and you'll get back a bunch of portmanteaux created by jamming together words that are conceptually related to your inputs.. For example, enter "giraffe" and you'll get back words .
Max Rudolf Frisch (15 May – 4 April ) was a Swiss playwright and novelist. Frisch's works focused on problems of identity, individuality, responsibility, morality, and political commitment.
The use of irony is a significant feature of his post-war output. Frisch was one of the founders of Gruppe urbanagricultureinitiative.com was awarded the Neustadt International Prize for Literature in