I used to wonder how Pixar came out with such great movies, year after year.
Though fiction, by definition, is made up, to succeed it must be believable. Even fantasies must make sense. Once the reader has accepted your premise, what follows must be logical.
Effective research is key to adding the specificity necessary to make this work. When my character uses a weapon, I learn everything I can about it.
Accurate details add flavor and authenticity. Get details wrong and your reader loses confidence—and interest—in your story. Consult Atlases and World Almanacs to confirm geography and cultural norms and find character names that align with the setting, period, and customs.
If your Middle Eastern character flashes someone a thumbs up, be sure that means the same in his culture as it does in yours. YouTube and online search engines can yield tens of thousands of results.
Just be careful to avoid wasting time getting drawn into clickbait videos Use a Thesaurusbut not to find the most exotic word. People love to talk about their work, and often such conversations lead to more story ideas. Resist the urge to shortchange the research process. Add specifics the way you would add seasoning to food.
Choose your point of view. The perspective from which you tell your story can be complicated because it encompasses so much. The cardinal rule is one perspective character per scene, but I prefer only one per chapter, and ideally one per novel. No hopping into the heads of other characters. What your POV character sees, hears, touches, smells, tastes, and thinks is all you can convey.
Most novels are written in Third Person Limited. That means limited to one perspective character at a time, and that character ought to be the one with the most at stake. First Person makes is easiest to limit yourself to that one perspective character, but Third-Person Limited is most popular for a reason.
Read current popular fiction to see how the bestsellers do it. Then he finds out that person told someone else something entirely different, and his actions prove he was lying to both.
Begin in media res in the midst of things. You must grab your reader by the throat on page one. It means avoiding too much scene setting and description and getting to the good stuff—the guts of the story.
The goal of every sentence, in fact of every wordis to force the reader to read the next. The reason is obvious: Your job as a writer is not to make readers imagine things as you see them, but to trigger the theaters of their minds.
Give them just enough to engage their mental projectors. Want to download this step guide so you can read it whenever you wish?Your story's plot is more than just a string of events. Learn how to write the perfect plot for your story by crafting it into a meaningful whole.
Elements of a Short Story Definition of a Short Story Tells about a single event or experience Fictional (not true) to 15, words in length It has a beginning, middle, and end Creates an impression on the reader Elements of a Short Story Setting Characterization Plot Conflict Climax Resolution Theme Point of view Short Story Vocabulary Setting:Tells the reader where and when the story.
Jerz > Writing > General Creative Writing Tips [ Poetry | Fiction ]. Writing short stories means beginning as close to the climax as possible — everything else is a distraction. A novel can take a more meandering path, but should still start with a scene that sets the tone for the whole book.
A short story conserves characters and scenes, typically by focusing on just one conflict, and.
Is your novel concept special? Big enough to warrant 75, to , words? Powerful enough to hold the reader all the way? Come up with a story idea laden with conflict—the engine that will drive your plot.
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